Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.

Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...

Jeremy Black on “The Price of Victory,” by N. A. M. Rodger.

Paul Dean on “Shakespeare’s Tragic Art,” by Rhodri Lewis.

She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...

When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...

Benjamin Riley on “Sorolla and the Sea,” at the Norton Museum of Art, Palm Beach.

Michele H. Bogart on the Taber Sears mural in the New York City Council Chambers ...

After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...

Suisman’s is an uncomplicated narrative that begins in the Civil War, when military music still served purely utilitarian ...

Brooke Allen on “Academic Writing as if Readers Matter,” by Leonard Cassuto.

Orphism in Paris, 1910–1930,” at the Guggenheim Museum, New York.