As a writer, I have these wild dreams of someday putting something on paper that people quote forever (or misquote forever).

When The Notebook hit theaters in 2004, nobody could’ve guessed just how deeply it would embed itself into pop culture’s romantic bloodstream.

The Wire, written by David Simon, was more than just a crime drama; it was a brilliant social commentary on urban America.

“So it goes.” “Forty-two,” said Deep Thought, with infinite majesty and calm. Charlotte Brontë’s Teenage Poetry: An anthology ...