It’s interesting watching Pi today. It feels like a movie pulsating with every topic Aronofsky would explore with later films. As the protagonist, Max, becomes obsessed with numbers, it does ...

Aronofsky says that Pi emerged out of both the challenge of making a movie with limited resources as well as the “jigsaw puzzle” of various ideas that he had been fascinated with throughout ...

The decades have been good to Pi. Its happy swirl of Jewish mysticism, meaning-of-everything conspiracism, and Math’s Greatest Hits (along with pi, it bangs through the Fibonnaci sequence, the ...

There are so many takeaways for any aspiring filmmaker watching a Darren Aronofsky film. His narratives are full of ...

When Darren Aronofsky brought his debut feature ... Audiences will be able to see (and hear) “Pi” in the best possible quality. The movie is formatted through Imax’s proprietary digital ...

According to A24, “Pi: The Guerilla Diaries” consists of Aronofsky’s actual diary and ... There is not one single digital effect in the movie. We had to find other ways to push the envelope.

Aronofsky: Different camera techniques. To use the same techniques in different ways. “Pi,” we tried to make a fully subjective movie from Max’s POV. And this film, this material was also ...

Darren Aronofsky's Pi was originally released in 1998 after ... are there any other layers? With movies like this there's always something hidden or a part of the whole picture I didn't see ...

Shot on black-and-white reversal film stock, Pi was one of the most visually striking ... the one-day screening will feature a live Q&A with Aronofsky, Gullette, cinematographer Matthew Libatique ...