Sitting in joint 63rd in the 2022 Sight and Sound Great Films of All Time poll, few would question The Third Man’s inclusion; in fact, I was surprised it wasn’t higher. Written by Graham Greene, Carol ...

“In a world that’s been gamified to within an inch of its life, maybe indulging in pixels, bits and bytes can be a subversive ...

“A Biennial that could only be created in Liverpool.” Curated by Marie-Anne McQuay and bearing the reassuring subtitle, ...

Although not his debut (that being Bottle Rocket), Rushmore is perhaps the first of Wes Anderson’s films featuring many of the associations we make with his singular style. Recurring cast members Bill ...

Andres Veiel’s Riefenstahl reveals the actor and director was only too pleased to pour her not inconsiderable talents into the Nazi cause… There are moments during Riefenstahl in which you wonder ...

“Words, text, art, text art, artists’ text, art writing.” Mike Pinnington on the intersection of and relationship between art and text… When we speak about art, we often refer to the ‘story’ of art, ...

“A joyous, life-affirming show.” Mike Pinnington finds much to celebrate in the Brazilian rhythms of Vanessa da Silva’s exhibition, Roda Viva, at Mostyn Gallery… The temptation to weave between the ...

“Opportunities to engage with names other than the movement’s usual suspects are all too rare.” Mike Pinnington on a close encounter with the geometric abstraction of Ding Yi… When we think about ...