‘Contemporary opera needs to cater to contemporary times,’ says Harvard grad Benjamin Wenzelberg, whose new opera is based on James Joyce’s ‘Ulysses’ and makes its world premiere in ...

Writer, singer and educator Aiden K. Feltkamp reflects on their journey as a trans nonbinary opera singer. Feltkamp recognizes the impact representation can have to inspire change, connecting ...

Count Orlok – the Vampire Skarsgård plays – is constantly wheezing, rolling his R’s and producing a deep guttural sound. To achieve these unusual vocal emissions, Skarsgård was trained by an Icelandic ...

In May, she became the first trans singer to perform a lead role in a classic operatic work in the U.S. when she starred in “Don Giovanni” with the Tulsa Opera in Oklahoma. In October, she will play a ...

She says she's unconcerned about being pigeonholed as a trans opera singer, as opposed to simply an opera singer: "When people hear me, they know that I'm the real deal." Lucas spoke with All ...

“Has anyone done this before? How does this work? We engaged you as a baritone.” There were no openly trans opera singers performing. If my voice changed and I wasn’t able to sing after transition, ...

There is so much of vampire Count Orlok in “Nosferatu ... But to get just the right pitch, Skarsgård worked with Icelandic opera singer Ásgerður Júníusdóttir on lowering his own voice ...