The University of Bristol will mark its ‘AI University of the Year’ success with a series of events exploring the ...

Josh O’Connor On ‘The Mastermind’, ‘The History Of Sound’, His New Spielberg Film & How Harris Dickinson Has Inspired Him To ...

I told Steven, ‘We have to do this film. This is not a why. It’s a why not,’” Laurent Bouzereau says of his conversations ...

"Unless you're sure it won't kill you, worry about it," said Geoffrey Hinton, the "godfather of AI," during an April 26 ...

A cheeky joyride around David Hockney's earliest works - 4/5 An exhibition at Hazlitt Holland-Hibbert has unearthed rarely ...

A new book by the New Yorker staff writer John Cassidy plumbs more than two centuries’ worth of grievances about our global ...

Listen to the first notes of an old, beloved song. Can you name that tune? If you can, congratulations—it's a triumph of your ...

A one-man show, a box of old stories, and the strange intimacy of talking to a room full of strangers.

By transforming quotations into evidence, close reading served as way to turn postwar criticism into a specialized knowledge.

President Donald Trump has proposed slashing federal scientific funding. Economists say the long-term consequences could be ...

John Nichols is a national affairs correspondent for The Nation. He has written, cowritten, or edited over a dozen books on topics ranging from histories of American socialism and the Democratic ...

In the film, Goodman plays the Oscar-winning makeup artist John Chambers, who recruits a powerful producer, played by Alan Arkin, to create the script for the fake film. Goodman was thrilled to work ...