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Like us on Facebook. Today’s linguistic lesson is a two-parter. Well, if you really want to get into it, it could potentially be several parts. And, when I say “parts,” I mean body parts. I can talk ...
“The Substance,” Coralie Fargeat’s Cannes breakout that brings a career-best performance from Demi Moore, leans harder into the “horror” part of body horror than “A Different Man ...
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