In advance of the catalogue’s release, Crewdson spoke with Vanity Fair about the possibility of making the switch from photography to directing feature-length films, and the story he’s been ...

But for his earliest bodies of work, made in the late 1980s and early ’90s, Crewdson hacked it the best he could. As a student at Yale’s MFA photography program, he shot what he could find in ...

But Crewdson has known these environments long before he moved to the Berkshires, where he commutes back and forth to New Haven to direct the MFA photography program at Yale. Originally from ...

We recently chatted with Mr. Crewdson, to dig a bit deeper in the sub-conscious of a most-intriguing photographer. How did you come to photography? Crewdson: My interest was piqued early on, when my ...

Crewdson has established himself as one of the most clever and technically gifted practitioners of his generation. Known for his atmospheric and often surreal images, which blend elements of cinema, ...

Crewdson is a critically acclaimed American photographer and serves as the director of graduate studies in photography at the School of Art. His work has been displayed at the J. Paul Getty Museum and ...

Dyslexia eventually drew Crewdson to photography. "I have a very difficult time thinking linearly," he says. "I tend to think more in terms of images." While at the Yale University School of Art ...

At that point, Crewdson, his director of photography Richard Sands and a large crew (many, like Sands, veterans of feature filmmaking) meticulously micromanage every element in the huge frame ...