The three most common Ethernet speeds today are 100 Mbps, 1,000 Mbps and 10 Gbps, which represent the number of Megabits or Gigabits that can be transmitted each second. If you hear somebody ...

I love a good vintage camera auction on eBay. Maybe I love this too much, seeing as how over two dozen film cameras from ...

With the main European and American airshow seasons rapidly approaching, take a look here for tips on how to hone the art of ...

Boasting best in class stabilization, the Lumix GH7 enables you to shoot at slow shutter speeds. It’s also compatible with CFExpress Type-B cards for faster read and write speeds. However ...

The Canon EOS R1 ($6,299, body only) slots in as the company's biggest, fastest full-frame camera. Its dual-grip body balances well with the larger lenses used for sports photography, and leaves room ...

This echoes a common sentiment. While I disagree with ... situations where a missed photo will be a problem. You set the shutter speed and aperture independently, and the camera meters the scene ...

setting the shutter speed to double that of the frame rate to achieve a so-called ‘natural’ motion blur effect. But this is just plain wrong for so many shots and here’s why. Firstly, for those who ...

For several common frame rates, then, let’s convert shutter angle to shutter speed: A shutter angle of 180° (or a shutter speed of roughly 1/50 for typical cinematic frame rates) does give a pleasing ...

All of this is embodied in his first book, Life at Shutter Speed: Two Decades of Larry Chen Photography: a stunning 14x11” gathering of his favorite images and the stories behind them.

This is the result of using a flash or studio strobe that is not synchronized with the fast shutter speed being used by the camera. The issue is common with all focal plane shutter cameras. It occurs ...

Sparks flew, smoke rose, and confetti fell. It was an amazing weekend at Phoenix Raceway, where the NASCAR Cup Series, NASCAR Xfinity Series, NASCAR Craftsman Truck Series, and ARCA Menards Series ...

The technique is called the 'Sunny 16 rule' and focuses on changing your aperture to the available light around you, but keeping your shutter speed the same as your ASA film speed or ISO. Most common ...