Performances in N.Y.C. Advertisement Supported by Alexei Ratmansky’s “Paquita” brings Marius Petipa’s 19th-century style to New York City Ballet through two lenses: his own and George ...

Performances in N.Y.C. Advertisement Supported by Critic’s pick Alexei Ratmansky creates a joyful new “Paquita” for New York City Ballet, giving the dancers a classical frame in which to ...

New York. For only the second time in my 5 1/2 decades attending New York City Ballet’s spring seasons at Lincoln Center, the troupe presented no world premieres. Of the 26 ball ...

New York City Ballet has been mixing it up with an impressive array of smartly arranged triple and quadruple bills. As the season plays its fourth week, programs of ballets selected from the ...

On a new choreography of Paquita performed by New York City Ballet. Minkus Pas de Trois, last performed by the company in 1993, is a sparkling eight-minute showpiece for three dancers, two female ...

All performances will be accompanied by the 62-piece New York City Ballet Orchestra ... from Marius Petipa’s full-length Paquita that incorporates the ballet’s Grand Pas from Petipa’s ...

Since its earliest days, New York City Ballet has shown contrasting ... as embodied by the nineteenth-century ballet “Paquita.” Ratmansky is a lover of archives and intricate steps.