"I was told [they] no longer existed," says Robert Richardson, who captured the film's super-widescreen images with Ultra Panavision 70 lenses that hadn't been used since 1966's 'Khartoum.

and various locations in Louisiana on Panavision cameras with a wide variety of anamorphic lenses, Richardson discovered that in order to create the pulpy, reconfigured Civil War-era America ...

Eighty lenses — because the size of this frame ... (Sasaki: “It would probably have to be Robert Gottschalk and the gang. Walter Wallin. The whole group back then. Robert Gottschalk was ...

Were he only a distinct player in some of Martin Scorsese and Oliver Stone’s best films, Robert Richardson would have one of the most ... Also, we went with very long lenses where he appears almost ...

With Once Upon a Time… in Hollywood, his sixth film with Quentin Tarantino, cinematographer Robert Richardson sought to capture ‘60s Los Angeles in all its glory, filtered through the auteur ...

This article contains Once Upon a Time in Hollywood spoilers. Robert Richardson learned what his next collaboration with Quentin Tarantino would be while sitting in the director’s kitchen.