But in Phil Timberlake’s sprightly adaptation of Jane Austen’s 1815 novel “Emma,” now onstage with Lifeline Theatre under Elise Kauzlaric’s nimble direction, it’s undeniably fun.

Emma: Musical. Adapted from the novel by Jane Austen. Music, lyrics and book by Paul Gordon. Directed by Robert Kelley. (Through Sept. 16. TheatreWorks at Mountain View Center for the Performing ...

Attention Jane Austen fans: your weekend just got a whole lot better. Because on Sept. 7, Audible released their latest Audible Original — this time, of Austen's 1815 novel Emma, which centers ...

Chicago Shakespeare’s musical ‘Emma’ isn’t quite clueless, but it misses Austen mark Amid all the glittery surfaces, Jane Austen’s “Emma” ends up getting lost in translation.

Emma is an annoying character – even Jane Austen thought so. But in Autumn de Wilde’s new film, she’s also the 21st-century feminist heroine we need, writes Holly Thomas.

Jane Austen’s ‘Emma’ gets a smart, stylish rendering in Autumn de Wilde’s feature debut. ... Of course, Emma is single, too — and something of a catch — which only complicates things.

"Emma" is a faithful adaptation of Jane Austen's 1815 novel of the same name. Like the book, the new movie follows the misadventures of a spoiled, wealthy young woman who attempts to play ...

Book-It Rep’s adaptation of “Emma,” the 1815 comedy of manners by Jane Austen, continues through Jan. 3 at Center Theatre at Seattle Center.

Austen died 200 years ago, in July of 1817. She left this world early, at 41 years old, but, as she playfully wrote in “Emma”: “It was a delightful visit — perfect, in being much too short.” ...

It’s a truth universally acknowledged that every piece about Jane Austen must begin this way. It’s also true that nothing soothes quite like watching adaptations of every single one of Jane ...

Emma is an annoying character – even Jane Austen thought so. But in Autumn de Wilde’s new film, she’s also the 21st-century feminist heroine we need, writes Holly Thomas.

Emma is an annoying character – even Jane Austen thought so. But in Autumn de Wilde’s new film, she’s also the 21st-century feminist heroine we need, writes Holly Thomas.