This resolves nicely to a regular A chord at the 2nd fret. For this voicing of G#m9, it’s important not to let the fifth ...
Being able to arrange voicings to ‘sit’ nicely in a chord progression (both to your ... here because it’s such a nice key on ...
The term ‘embellished’ isn’t really a theoretical one, but it seems an appropriate way to describe these examples. Sometimes an idea for a chord progression can come to us virtually complete ...