After 'Oppenheimer,' the big-screen company designed new cameras and production tech to allow Nolan to shoot in Imax, on film, end-to-end in his upcoming epic, and not just for select sequences.

Coming away from the $100M global success of Oppenheimer in Imax (in a total global haul of $975.8M), Christopher Nolan made a challenge to Imax Boss Rich Gelfond. “A year before Chris started filming The Odyssey,

Following the groundbreaking visuals of Oppenheimer, Christopher Nolan’s upcoming adaptation of The Odyssey is set to make cinematic history as the the first feature ever shot entirely using IMAX cameras.