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The Residence is the best murder mystery on Netflix since Knives Out. The White House whodunnit from Bridgerton and Grey's Anatomy executive producer Shonda Rhimes hits the ground running and ...
The Residence arrives with an intriguing premise ... Set within the hallowed halls of the White House, the latest offering from Netflix’s partnership with executive producer Shonda Rhimes ...
And The Residence, Netflix's new murder mystery comedy, executes the idea very well. It's a fun mystery with a skilled cast and excellent production design. As a murder mystery, it's not doing ...
She unpacks what exactly happened in the White House residence during the state dinner and recalls the moment she ascended to the third floor and saw A.B.’s dead body. Jasmine also recounts her ...
So now, imagine my delight at Netflix's The Residence, a high-energy comic whodunit set at the White House. The story is this: One night, during a state dinner honoring Australia, A.B. Wynter ...
exceptionally eccentric in Netflix’s new Shondaland-produced The Residence. The show is the latest entry in both the burgeoning Orange Is the New Forensic Investigation genre and the even more ...
The Residence's structure is its worst enemy ... It's little surprise that the one episode (of the seven Netflix sent for review) that notably features the fewest Congressional hearing interludes ...
Some things are universally true, like Newton’s Universal Law of Gravitation or the fact that water is wet. Also true: TV viewers love a murder mystery. There’s a reason, after all, that there ...
Giancarlo Esposito as A.B. Wynter in "The Residence." (Jessica Brooks/Netflix) The dead man, one A.B. Wynter (Giancarlo Esposito), was a head of the household staff. Elegantly professional ...
If I happened to be a Netflix honcho, and megaproducer Shonda ... But somehow, despite all it has going for it, "The Residence" (now streaming, ★★ out of four) is a disappointingly flimsy ...
The Residence is a silly programme ... Branagh-directed Murder on the Orient Express movie grossed $352.8 million worldwide despite middling reviews, and Agatha Christie’s other smasher ...
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